The Quality of Light

A day off? Ha! No thanks... I think I'll spend my President's Day trekking through the beautiful valley's of Nicasio while putting my cine skills to the test. I mean, how could I resist? It was perhaps the most beautiful day of 2010 thus far.

I rolled out of Berkeley at around noon with my trusty 7D kit, my Glidetrack, and a backpack full of Powerbars and Gatorade. I anticipated this being a small day trip. Little did I know, I was in for a long night. But before I elaborate, please check out the video. The mood of the video is very pretty. The rest of my story is not. If your computer can, hit the full screen button on the video (little arrows).



I'm very happy with how the video turned out. I think there are some beautiful shots in there and some beautiful colors. I was a little disappointed with some of the Glidetrack shots because my track was sticking pretty badly. I guess that's what happens when you forget about the open can of Monster energy drink in your backpack pocket and decide to bend over to pick up the Glidetrack thus spilling the neon green fluid all over the rails. Run on sentence? Probably.


So, while shooting in Lucas Valley, I was attempting to shoot some shots for a logo I am working on for my film team. It involved a very ornate sword and a red silk sash. Somehow when I packed up all of my gear I left the beautiful sword on the ground, completely forgetting about it. I realized it was missing when I got to my next location. I figured it was in a remote enough location that I could go back when I finished shooting and recover the blade. Upon returning some hours later, the beautiful sword was gone. Alas, Arandir...thou blade now belongeth to another. Here is the last known image of thy sword, shot with my Digital Harinezumi.


It was dark when I went to go look for the sword, so I had to make a decision. Did I want to spend the next 2.5 hours hanging out in the pitch black wilderness so that I could do a star time-lapse? Of course I did. Well, after about 5 minutes I got pretty bored. Don't ask me where the time went. Exposing each frame for 30 seconds means a lot of sitting.

Weird things started to happen. I saw shadows of hawks/vultures flying 10 feet above me, deciding whether or not to attack such a bored fellow. A teenage couple came venturing out into the darkness to do what teenagers do. I started to hear wolves in the mountains, and other terrifying screaming noises (it wasn't the couple, don't worry.) My fear of lurking mountain lions pushed me back to my car where I grabbed a prop rifle to help me defend my time-lapsing camera. Oh and the only light source I had was my cell phone? And we're not talking about an iPhone here, as I'm sure there's an app for that.

Lessons Learned:
1. Polarizer + Stars = FAIL. I accidentally left my polarizing filter on my lens while shooting the night sky. This directly led to me needing to crank up the ISO more than I needed to, which is why those night shots are either grainy or underexposed.

2. Prepare for the unexpected. Bring a light source, good reading material, and a weapon when taking time lapse footage. Swords don't count.

3. Raptors do not exist in the Nicasio hills. Hyena's might...

-Jesse Tarnoff

What's Ahead

It's been a while since I updated this puppy. Sometimes in this industry you need to hunker down and do some planning. I wish I could be out there shooting all the time, but at some point there is the whole other side: lining up freelance work, writing scripts, drafting proposals, talking with clients, and of course... drooling over new equipment. Aside from freelance projects, which I wont get into right now, I have a couple other side projects.

The first is a nighttime low light test that I am shooting entirely at night with my 7D. It's going to have a few time lapses in it as well as some sweet city bokeh. I really wanna find the optimum settings for shooting in low light environments with my lens kit.

The second is a cinematography video of one of my favorite places on earth, Nicasio. A few years ago, I wrote a treatment and an outline for a feature set in the small town. I worked with a screenwriter/director on pre-production for a few months (I was going to be the DP/Executive Producer) before we decided to put the project on hold to do other things. So I've been building some footage of the small town and it's surroundings, playing with color, and doing a few timelapse shots.



And here is the really inspiring one. Ten. I recently found out about a film festival that is just for trailers of movies that you want to make but don't exist yet. Are you kidding me?! That's possibly my favorite thing to do ever! My high school feature film was made solely because of how much support I got for making a trailer of what it would look like.



I also had 3 trailers for my pre-AOTR film, The Third Stage and a trailer I made while at Chapman for AOTR 2. Ten is probably the best opportunity for me to hit the pinnacle of my love for filmmaking.

I plan to enter between 3 and 5 trailers to Ten. All of which I can assure you will be epic, cinematic, and incredibly fun to make.

-Jesse Tarnoff

Tick. Tock. Timelapse.

I woke up early Saturday well rested, with no plans for the day. That quickly changed as I hoisted myself onto my elbows and peered through the window. Sun! And... Clouds! In that split second I figured out exactly how I would spend my day.

I hopped into some dirty jeans, checked my car for parking tickets, and set up my 7D for some time lapsing! Now... sitting alone all day could be fun if you're a monk and are 95% of the way to enlightenment, but I'm far from that. To pass the time I recruited some of my brilliant Berkeley housemates to hang out and pass the time.

Here is what I came up with. Oh, and make sure you stay tuned for the last shot. Even Aragorn says it's epic.



All of the timelapse footage was shot on my 7D at various intervals, depending on how fast the clouds were moving. All of the vintage film footage was shot on my Digital Harinezumi, essentially a toy video camera that produces 8mm looking images. I wanted to mix the clean images of the ramped up clouds with the gritty vintage to juxtapose the feel of each camera.

Lesson's Learned
1. IS ≠ :) - Image Stabilization should be disabled if shooting with an IS lens. I figured it would help with minor wind movement. Upon reviewing the footage, since each frame has IS compensation, each one is a little different than the next. This is why there is that weird pan on the campanile. Luckily I only shot with that lens for one shot.
2. Roll the D40 - I also have a Nikon D40 kit that seems to be generating dust. I need to figure out a solid intervalometer for that thing, and then I'll be able to shoot two angles at once.

-Jesse Tarnoff

Super Cute Couple

I really couldn't resit posting this wedding highlights video. It's a piece I edited for Metmedia last week and it is just way cute. Oh and as a bonus, you get to hear the best pick up line ever used.



Ok say it with me... 1, 2, 3, "Awwwwww!" I know. Adorable. Meredith and John were married at Piedmont Community Church and their reception was at the Claremont Country Club. I picked a playful song because I wanted their sense of humor and easy going attitude to come through. I really enjoyed editing their full wedding and had some fun with time-shifting. 71HUGO!

-Jesse Tarnoff

Cine/Grading Test

I guess I really am addicted to filmmaking. When I don't have the opportunity to film for a week or two, I feel this slowly building angst that eventually results in me finding an excuse to go out and take some shots. I guess it's because when I'm shooting, it's like a meditation. A chance to be outside of my head and channel all of my focus into one thing. It's very freeing.

Enough of this new age hippie talk! Time for some dark and brooding cinematography inspired by Apocalypse Now. One of my favorite scenes of Apocalypse Now is the scene in the jungle where the tiger jumps out. I love it because of it's color pallet. Notice how extremely GREEN the greens are, and how everything else is a shade of blue. It's got a very cool neonish look that I wanted to replicate.



In doing some preparation for the Staff Blaster Orgins film, I wanted to achieve this look for Jack Shrapnel's opening sequence. Here is my test footage in which I combine in camera color processing with digital color grading.



Now the cinematography style is very different, but looking at the color, I think I did a pretty good job of isolating those greens and making them pop. I'm curious to know about how Vittorio Storaro accomplished this look in Apocalypse Now. I can't imagine he JUST used tungsten film outdoors. As far as this being a test video, here is what I learned.

Lessons Learned
1. Don't Shoot the Sky - The sky is impossible to get colored right. If shooting a jungle scene, avoid shooting anything upwards.
2. Expose properly instead of trying to crush the blacks in camera. Also, do not use highlight bias setting when shooting in a darkened environment such as a forest.
3. Bring more than one Powerbar when carrying a tripod, glidetrack, and camera kit through a forest. All that lifting = hungry tummies.

-Jesse Tarnoff

2009 Ava Awards

The results are back from the Ava Awards and apparently they like fusion! Metmedia submitted two projects that I edited to the judges. The first project was Laura and Scott's wedding which was a full length wedding film that was edited completely in fusion style. This film won the Ava Platinum Award, the highest honor in the Weddings and Events Category. I've always been very proud of my work on that film. The clips online show some of the quality, but the film in it's entirety is a very well produced piece. Here are some of the clips from that...




Earlier this year we also took home a Videographer Awards 2009 "Award of Distinction" for my fusion editing in Laura and Scott. I don't think I ever blogged about it.

We also received an Ava Gold award for the Yosemite Love Story I edited for Christy and Jared. While it's not a platinum, I am still proud of the achievement and speaks to the power of fusion style editing.


2010 should be a good year for some more awards. With the new DSLR setup, I think there are some very good projects on the horizon. It's about time I gunned for Weva Gold.

Morgan + Charlie Save the Date

Morgan + Charlie from Jesse Tarnoff on Vimeo.

Morgan and Charlie's story is really quite amazing. The two of them first met in elementary school, and have grown up together. I'm talking elementary school, middle school, high school, and yes... college. When I talked to them about their relationship, they emphasized the idea that no matter what's going on, there is always something that is pulling them back together.

When we were shooting their Save the Date, we talked about TV shows that we both liked. I was happy to hear that they both really liked Friday Night Lights, a show with a style I love. When I started editing, my goal was to give it the same kind of vibe as the tv show.

We were also EXTREMELY lucky with the weather. The forecast was rain ALL week. On the drive up, I was absolutely astonished at how beautiful the day was. It was a sunny day with extremely defined patches of clouds; very crisp. It really could not have been better.

By request: here is the gear I used. Canon EOS 7d with a canon 50mm f/1.8, Sigma 10-20mm f/4-5.6 with a polarizer. I'm pretty sure those are the only lenses I used. I also used my Glidetrack SD 1m and a 501 Fluid Head. For audio I used a Rode Videomic. In my opinion, the production value comes from the Glidetrack and the polarizer on my wide lens. Color grading was done in Magic Bullet, making good use of gradient exposures.

-Jesse Tarnoff